Monday, May 9, 2016

[Audio] Joe Smizzy – “Sidechick” (Produced by GeoTheRican)

Joe Smizzy is not the one to waste time dealing with females and he wants that to be known on his new release "Sidechick." The sounds are provided by [istandard] rep GeoTheRican. You can pick this up on iTunes HERE.

[Instrumental Soundtrack] Mr Jones - Snack Pack

So, the [istandard] staff recently had the opportunity to showcase some of our production work at a recent Producer's Showcase and our Social Media/Marketing Manager Mr. Jones just released the set that that he played that night. Obviously it's quality. It's snack time!

via WhoIsMrJones

Sunday, March 20, 2016

The Amazing SB showcasing a short set with iStandard Producers 3/21

The Amazing SB will be playing a short set of beats at iStandard New York Showcase 3/21 9pm sharp at Drom 85 Avenue A New york.Ny 10009.

Thursday, August 20, 2015

[Video] Hip-Hop producers are weak minded?

Why are hip-hop producers killing their own careers by undervaluing their own talents and allowing others to take advantage of them? Some producers feel they have to give beats away to promote themselves. But consider the following points.

When a producer gives a beat to a rapper/manager/label without asking for anything in return, in other words, "for the love," that entity can:

1. Sell the song for a profit and never pay the producer
2. Build his/her brand and boost his/her career
3. Monetize online plays/streams (even on your Youtube and Soundcloud pages)
4. Book shows/tours based on this original music
5. Merchandise and profit
6. Submit music for radio/tv play without ever determining publishing splits
7. Pay for marketing, design, photos, engineering, merchandise, but not for production

The producer loses in every scenario. Where's "the love?" It's not unreasonable to expect some type of fair compensation for your talents and efforts. Making a living doesn't ruin your art.

Ideas for producers:

1. 50/50 album partnerships with recording artists
2. Trades (beats in exchange for verses, etc)
3. Set a floor and ceiling for beat prices and stay consistent
4. Production deals
5. Releasing instrumental music (create a demand for yourself)
6. Monetizing your own streaming music (Content ID, Adsense, etc)
7. DJ for artists you produce for to split show fees
8. Form groups with even splits (Ever heard of Gangstar?)
9. LEARN. The more you know, the less you can be taken advantage of